de profundis

To live is to suffer, to survive is to find some meaning in the suffering.
~ Friedrich Nietzsche

I am meeting with a group of students once a week this quarter, and as is often the case, when I make the long journey from my home to the campus, I wonder to myself as I’m gathering ideas for class, what’s it all for? What am I really doing for these people? Do they need what I have to offer them? Do they even care and my how ludicrous is it that I get paid so much money to talk about dust and bones? Of course, there’s lots of sighing, lots of self pity, a smirk here and there. Petals plucked and tossed into the wind as I gather up the energy to tap dance through yet another punctuation lesson. Nothing excites like a control freak perfectionist armed with punctuation, and I really could talk about that all day, but inevitably my spirit hovers above the classroom laughing as I admit to my students, no one really cares about commas anymore but me. The silly futility of it all can be a seductive trap, but then something happens that wipes all the cynicism away. Someone reminds me that words strung together become story, and that in the telling of our stories, we become who we are meant to be.

Earlier this week a young man contacted me requesting an appointment. He wanted to show me his essay, and I made an effort to be in my office on an off day to assist him. Shy and smiling, he handed me his assignment and we began to work through the language and structure. It was a paper on Nietzsche’s philosophy on suffering, and at many places I found myself stuck in the weeds. I had asked the students to reflect on Nietzsche’s theory that we can learn to be happy through suffering, that happiness does not come from escaping our troubles but from cultivating them and turning them to our advantage. You know the old line, what doesn’t kill me makes me stronger. Well this young man was struggling to articulate this complex dichotomy, that suffering leads to happiness, and we spent most of our time on page one, untangling sentences and working through his throat-clearing repetition. In my mind, I thought his paper was a mess, and I caught myself slipping into self-pity, woe is suffering me who teaches these young people who can’t grapple with ideas! I was ready to send him off with a few suggestions and then resume that familiar place, hovering somewhere between tenderness and absurdity. But then I turned the page.

On page two he came out from behind all the mess, literally. Suddenly I understood what all the throat-clearing had been preparing me for. On page two he illustrated Nietzsche’s idea perfectly with storytelling that sharpened with sudden clarity and precision and vivid detail, all that kind of writing I’d been talking about during our weekly class meetings. On page two he wrote in a much more confident voice, describing how he suffered through adolescence because he was ashamed of who he was becoming, afraid his family would reject him, and too embarrassed and confused to tell anyone until a friend helped him find the courage to speak his truth. I’ve had students come out to me before, but most of them have been strictly distance learning students for whom the anonymity of the internet — or at least the facade of distance — enables them to express themselves more freely than they would in the brick and mortar classroom. But here sat my sweet student, upright and smiling, handing me himself in words on the page. I was overcome, not only with humility and gratitude for his trust in me, for his trust in the world really, but also for the nobility of my profession and the opportunities I’m given to be witness to the power of language, to the ways I might in some small way encourage someone to tell their story and make it true.

Often we get stuck in the weeds and lose sight of the sky, and how wonderful is it that just when you need them someone comes along to remind you to look up.

 


Dear Readers, an added footnote: Wordsworth famously said that poetry is “the spontaneous overflow of powerful emotions recollected in tranquility.” I’ve never forgotten that line nor have I forgotten the professor who first taught it to me. My student’s paper did have heaps of grammatical errors and was in dire need of rearrangement — foremost of which included making his experience more central to the narrative — but there was poetry in his story and the act of writing brought it into being. And so I share with you some excerpts from another beautiful piece of writing penned by Oscar Wilde during his incarceration in a Victorian prison. At the height of his professional success (The Importance of Being Earnest was playing to sold out audiences in London’s West End) — and at a time when homosexuality was considered a crime punishable by law — Wilde was involved in a bitter sex scandal that resulted in a very public trial and conviction for indecency. His is a classic tabloid tragedy, the noble king brought low. During the two years he spent in prison, he turned his suffering as best he could into humility and joy through the act of writing. His jailors brought him a sheet of paper a day. They took whatever he wrote away so that he could not revise or reflect on what he had written, but the pages were collected and published posthumously in 1905, a few years after Wilde, forced by shame and shunning to change his name, died penniless and forgotten in a cheap Paris hotel. De Profundis tells the story of his spiritual transformation and of the artist’s affinity with Christ, a story not only of his profound suffering but of leaning into that suffering and ultimately finding in it, a beautiful joy.

 

 

Where there is sorrow there is holy ground.  Some day people will realise what that means.  They will know nothing of life till they do,—and natures like his can realise it.  When I was brought down from my prison to the Court of Bankruptcy, between two policemen,— [Robbie Ross] waited in the long dreary corridor that, before the whole crowd, whom an action so sweet and simple hushed into silence, he might gravely raise his hat to me, as, handcuffed and with bowed head, I passed him by.  Men have gone to heaven for smaller things than that.  It was in this spirit, and with this mode of love, that the saints knelt down to wash the feet of the poor, or stooped to kiss the leper on the cheek.  I have never said one single word to him about what he did.  I do not know to the present moment whether he is aware that I was even conscious of his action.  It is not a thing for which one can render formal thanks in formal words.  I store it in the treasure-house of my heart.  I keep it there as a secret debt that I am glad to think I can never possibly repay.  It is embalmed and kept sweet by the myrrh and cassia of many tears.  When wisdom has been profitless to me, philosophy barren, and the proverbs and phrases of those who have sought to give me consolation as dust and ashes in my mouth, the memory of that little, lovely, silent act of love has unsealed for me all the wells of pity: made the desert blossom like a rose, and brought me out of the bitterness of lonely exile into harmony with the wounded, broken, and great heart of the world.

I have lain in prison for nearly two years.  Out of my nature has come wild despair; an abandonment to grief that was piteous even to look at; terrible and impotent rage; bitterness and scorn; anguish that wept aloud; misery that could find no voice; sorrow that was dumb.  I have passed through every possible mood of suffering.  Better than Wordsworth himself I know what Wordsworth meant when he said—

‘Suffering is permanent, obscure, and dark
And has the nature of infinity.’

But while there were times when I rejoiced in the idea that my sufferings were to be endless, I could not bear them to be without meaning.  Now I find hidden somewhere away in my nature something that tells me that nothing in the whole world is meaningless, and suffering least of all.  That something hidden away in my nature, like a treasure in a field, is Humility.

It is the last thing left in me, and the best: the ultimate discovery at which I have arrived, the starting-point for a fresh development.  It has come to me right out of myself, so I know that it has come at the proper time.  It could not have come before, nor later.  Had any one told me of it, I would have rejected it.  Had it been brought to me, I would have refused it.  As I found it, I want to keep it.  I must do so.  It is the one thing that has in it the elements of life, of a new life, Vita Nuova for me.  Of all things it is the strangest.  One cannot acquire it, except by surrendering everything that one has.  It is only when one has lost all things, that one knows that one possesses it.

Now I have realised that it is in me, I see quite clearly what I ought to do; in fact, must do.  And when I use such a phrase as that, I need not say that I am not alluding to any external sanction or command.  I admit none.  I am far more of an individualist than I ever was.  Nothing seems to me of the smallest value except what one gets out of oneself.  My nature is seeking a fresh mode of self-realisation.  That is all I am concerned with.  And the first thing that I have got to do is to free myself from any possible bitterness of feeling against the world.

I am completely penniless, and absolutely homeless.  Yet there are worse things in the world than that.  I am quite candid when I say that rather than go out from this prison with bitterness in my heart against the world, I would gladly and readily beg my bread from door to door.  If I got nothing from the house of the rich I would get something at the house of the poor.  Those who have much are often greedy; those who have little always share.  I would not a bit mind sleeping in the cool grass in summer, and when winter came on sheltering myself by the warm close-thatched rick, or under the penthouse of a great barn, provided I had love in my heart.  The external things of life seem to me now of no importance at all.  You can see to what intensity of individualism I have arrived—or am arriving rather, for the journey is long, and ‘where I walk there are thorns.’

Of course I know that to ask alms on the highway is not to be my lot, and that if ever I lie in the cool grass at night-time it will be to write sonnets to the moon.  When I go out of prison, R— will be waiting for me on the other side of the big iron-studded gate, and he is the symbol, not merely of his own affection, but of the affection of many others besides.  I believe I am to have enough to live on for about eighteen months at any rate, so that if I may not write beautiful books, I may at least read beautiful books; and what joy can be greater?  After that, I hope to be able to recreate my creative faculty.

But were things different: had I not a friend left in the world; were there not a single house open to me in pity; had I to accept the wallet and ragged cloak of sheer penury: as long as I am free from all resentment, hardness and scorn, I would be able to face the life with much more calm and confidence than I would were my body in purple and fine linen, and the soul within me sick with hate.

And I really shall have no difficulty.  When you really want love you will find it waiting for you.

 

To regret one’s own experiences is to arrest one’s own development.  To deny one’s own experiences is to put a lie into the lips of one’s own life.  It is no less than a denial of the soul.

~ Oscar Wilde (16 October 1854 – 30 November 1900)

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come away with me, or how to get lost on one kings lane

There’s a certain kind of magic when the city is bathed in
light, buds begin to bloom, and parks swell with people.
With those perfect early spring days in mind, we gathered
all the elements of a chic Parisian apartment in a softer,
lighter palette. Your sunny hideaway awaits.

Click!

Marta_Chair

the marta chair

Lately I’ve been addicted to the One Kings Lane ads that clutter my inbox every day because they use editorial storytelling to sell a heap of beautiful things I don’t need and can hardly afford.  This is an online retailer disguised as a design blog, and they push out clever emails inviting you to various themed “events” featuring all the designer-selected furniture, decor and linens you’d need to achieve the desired look.  The key word being

desired.

I used to delete these emails without question but that was so yesterday.  One or two forays down the lane and the storytelling’s got me hooked!  I think last week or today or the day before some day they lured me into “The Gentleman’s Study” and before that I wandered through “The Lost Art of Afternoon Tea” and lingered there for a few minutes until moving on to ponder how I might “Achieve the Library Look.”  Noted tastemakers have done all the shopping for me —  they’ve trotted the globe gathering vintage fleamarket finds and art deco jewelry, tufted linen club chairs in soothing Montauk hues and decorative books to line my shelves.  It’s all taken care of!  All that exhaustion, all the decision-making — at someone else’s expense and artfully arranged.  It just sails across the lawn and lands smack on your doorstep every morning before sunrise.  You can just wake up, grab your morning cup and find yourself transported to an elegant English Manor or some other equally imaginative landscape, all while snuggled in your robe and slippers with your hair still in a scrunchy!  I’ve gotten so drawn into the storylines I’ve begun pinning $199 turquoise vintage typewriters to my Interiors Pinterest board with no hope in sight.

But this post isn’t about that typewriter.  Of course if you love me and have some change to spare I wouldn’t mind if you snatched it up before it sells out.  Maybe stow it away in the garage until my birthday — I won’t mind waiting and I promise to fall over with surprise before finding the perfect spot for it in my study.  No, what I really mean to blog about is not that typewriter at all or my wasting time on One Kings Lane but something else entirely.  After a few minutes browsing a recent event entitled “Wake Up In Paris,” I wandered over to the “Weekly Click List” and bumped right into a plug for a lifestyle blog called Modern Hepburn.

Did you say, Modern Hepburn?  . . . CLICK!

Modern Hepburn is a simple, elegant tumblr site, a visual feast filled with beautiful photographs and lovely quotations.  More Katharine than Audrey, it’s one woman’s decisive digital scrapbook with minimal text or commentary.  Unlike this blog with its heaps of blathering, you can make a quick visit to Modern Hepburn and just take in all the beautiful things.  One step up from Twitter and yet another from Pinterest.  It’s more like a graceful glide from the tree instead of a mindless chirp.  Now there are many creative tumblrs like this because that is sort of what tumblr is known for, being more like a portfolio or pin board, but what I love about this particular site is its entire page devoted to hands, two of my favorite things.  I love hands.

hands clasped.  hands outstretched.

hands holding other hands.

hands pressed in prayer.

This Modern Hepburn, whoever she is, is someone else on the planet who loves hands.  And now there’s this lovely place to go when I need one, when I’m writing about them.  Hands.  Where, because I don’t have that $199 turquoise vintage typewriter, I will be able to use my computer to scroll through the photographs, upload one to my blog and share the stories they tell with you.  Stories of kindness, generosity, and hope.

 

An average of seventy-four species become extinct every day,

which was one good reason but not the only one to hold someone’s hand.

~ Nicole Krauss “The History of Love”


 two or three little birds: hands

tumblr_n29u17kahN1syearho1_500I wrote this post after two weeks spent driving across four states in the southern united states, and the only thing I could think to write about were the father and son holding hands on a train:

But at one moment during his conversation with me, the man took his son’s pale hand in his and held it gently, patting him softly with his other hand.  Their fingers seemed worn smooth with familiarity and they playfully intertwined as the man continued in his quiet way to tell me about visiting his brother one time in the prison I had passed just outside Bakersfield.  It was a seamless gesture of affection, but I noticed it, and I can’t seem to get the image out of my mind.  The way his son rested peacefully with his touch.  The love between this elderly father and his adult son traveling together on a train to spend the day in Santa Fe.

holding hands, 24 july 2014

tumblr_ltwe2dfJVc1qi8o10o1_500And this describing my favorite hour of the week with my favorite people doing my favorite things:

We’ve spent another Sunday morning sitting close to one another for a whole hour, though, locking arms and holding hands, singing . . . smiling . . . praying

resistance is futile, 10 november 2014

tumblr_n1ieqlc77E1r21xm5o1_500

More hands . . .

Heraclitus says, day by day, what you do is who you become, and isn’t that wisdom for all of us to think about?  I know this is going to sound sillyhearted, and God if I can’t get the memory out of my head of my friend recently referring to me in jest as Mother Teresa, but I’m going to say it anyway.  I do.  I really really do want to spend my days holding hands.

leap, 11 september 2013

 

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the closest distance

Tell the story that’s been growing in your heart, the characters you can’t keep out of your head, the story that speaks to you, that pops into your head during your daily commute, that wakes you up in the morning.

~ Jennifer Weiner

The Closest Distance  A project by Larissa Board, a recent Studio Art graduate of Lewis & Clark College and an aspiring filmmaker.


 

As a mother of two creative kids, it’s hard to see the arts and literature fall away with the Common Core Standards.  My oldest middle schooler has not read one novel this year in her English class but has been assigned a biography and non-fiction book report.  My youngest is still in Catholic Schools, which in my opinion tend to nourish the painters and storytellers among us more than other schools do.  With an overt emphasis on the practical at the expense of the imagined, how can we inspire anyone to dream?  Encourage those who make art and support them with your time and treasure.  Buy books.  Watch movies.  Go to art galleries and hang whatever you can afford.  Take your beloved to the symphony.  Or just drop a dollar in that open guitar case next time you’re downtown.  And most importantly, support the creative life in our schools.

Support Arts Education through the National Endowment for Arts

Thank Heaven for Artists! NEA staffers thank artists who have inspired them

Who inspires you?

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